Does anyone know the name of the sign-off song that KOTV used to play each night prior to the national anthem? It was a nice, slow big band sounding tune with lots of brass. I can't for the life of me remember the name.
"Sunrise Serenade" was for sign-on and "Moonlight Serenade" was sign-off. Played the cart too many times for both shifts. (Hear a sample of each on Glenn Miller - Greatest Hits at Amazon.com)
Late at night in the early to mid 70s when 6 signed off its broadcasting for the night, there was an announcer that began the sign-off with "the first one you turn to-KOTV channel 6 Tulsa. He then ended the sign-off message with," This is your announcer, _____ ____, saying, Good night and Good morning."
Help me with this blank answer. what was his name? There was music in the background while sign-off was commencing. Title of that song was "Moonlight Serenade" which was performed by Glenn Miller. The old 6 logo and the microwaves KKV-45 and KLO-73 were shown.
I believe the name of the announcer on the KOTV signoff tape was a man named Denny Delk.
Gawd - Ken Broo stirred my brain cells - it WAS Denny Delk on sign-off at 6, now a long forgotten announcer.
Here is Cy's February 18, 1979 sign-off. The musical backing is Henry Mancini's "Dreamsville" from the "Peter Gunn" record. More about that piece of music in the the TTM Gift Shop (video courtesy of Steve Smith).
Or we would play jazz or classical music over color bars in "test time".
"Bars" replaced the Indian test pattern at the onset of color TV and most
stations had their call letters burnt in to the bars. A lot of stations ran
tone over them - a bit hard on the ears, though I worked with a guy that
had a Sony b&w TV set with a built-in timer to switch it on, and he used
it as an alarm clock
I used to get up and watch that crazy Indian show every Saturday morning (right after "The Attack of the Flys") and I loved to watch the sign-off and listen to "Moonlight Serenade". The only thing more exciting was "Moments of Meditation", since my pastor made occasional appearances.
The "Attack of the Flys" was the broadcast static which played all night prior to the airing of the test pattern which featured, as we know, the chief's profile (aka the Indian show).
Speaking of off-the-air times at KTUL. 8 went dark at midnight on Sundays for maintenance - all the senior engineers worked 11pm-7am. With spit and bailing wire it all ran well due to their efforts and a generally cheap Jimmy Leake who took all the profits to play with his car collection - made money.
On Mondays - coming in at 5:45am and KTUL being off air we saw another station. On our Conrac off-the-air tuner with pick-up antenna on the Look-out Mtn. antenna, we watched KNOE in Monroe, LA (ch.8) sign-on thru the buzz before we signed on. It was weird watching ANOTHER ch.8 in Tulsa. We assumed WFAA TV in Dallas was closer but evidently KNOE was kicking out more power or had a more directional antenna pattern. We were probably the only folks in Tulsa to ever see this.
During my brief stint in Tulsa radio/TV I heard a story about how some Tulsa TV engineer supposedly got fired for running (at the close of the broadcast day) video of a TV tower being blown down. As the story goes the engineer merely got reprimanded for that but he promised to make amends.
The next morning during station sign-on the engineer ran the video in reverse--which prompted the firing. Any truth to this rumor? Did this really happen, and if so, can somebody provide the juicy details?
All stations did testing before sign-on and after sign-off on power irradiated and other kinds of mumbo-jumbo set-up of the transmitter (called xmitr).
As I recall both 2 & 6 had old stand-by transmitters in the 70's but both may have had dual systems with newer transmitters on-line with back-up klystrons or switchable A/B sides (where the A or B side could be on air, the other side on standby.)
KOTV for years also ran the OETA transmitter in the same building in Sand Springs before all bailed for Oneta.
There was a dedicated phone line to the transmitter and engineer Neil Willits used to drive us nuts some nights - calling KOTV about video levels and such. In retrospect this WAS good - kept KOTV at the top of their game
At the 50th KOTV anniversary in November of 1999, I don't recall anyone mentioning that we had a signon and signoff theme song over which the announcer read the standard messages that were made in those days. The theme song was a beautiful piano rendition of "Dream of Olwen" (you can hear the music at this Amazon.com link...webmaster). We always signed on and off in those days with our national anthem.
Dick Campbell, who became Program Director at KOTV, originally worked for KGGF-AM, in Coffeyville, Kansas, in the forties. His classic sign-off there was "So long, and 73," 73 being the old telegrapher's bye-bye.
I never lived in Tulsa, but I am a fan of the rarest of TV oddities--the sign off. Seeing a 1979 one of KTUL-TV makes me proud to know there are some people out there who are keeping the memories of this art form alive and well.
And the Television Code--WOW! This 28 year old has some memories of sign-offs and music. One of my state's TV stations, WTNH-TV also channel 8 and ABC, used Barry White's "Love's Theme" for one of its sign-offs in the early 1980's. They then went to the National Anthem.
I know KTUL had the Ray Charles "America the Beautiful" at one point and that's all well and good. But what stations played the Star Spangled Banner at sign-off/on and which if any still do it today?
1960s version of "High Flight".
We had the same sign-off tape running for years. When they had produced it, the NAB seal was mounted crooked in the slide. Every night when the tape ran and the crooked slide showed up on the air, you could always count on Gene Tincher to announce over the production page, "Slide's high on the right".
Speaking of sign-offs, at KTUL in the late '70s one of the news photographers, Glenn McReynolds put together a really nice music essay for the 4th of July. It was picnic scenes, outdoor concerts, etc. edited to Ray Charles' "America the Beautiful". It turned out so nice that we replaced the High Flight tape with it. It ran every night for a couple of years. (video courtesy of Steve Smith)
(from Guestbook 101) Keith Purtell of Kansas City said:
I'm a former Tulsan with an obscure question. If this is impossible for anyone here to answer, I'll gladly settle for any suggestions as to where else I might ask. I've already tried the television station and a Web site devoted to television sign-off themes.
I'm trying to identify title and composer (and performers?) of an instrumental used in the 1970s as sign-off music for the educational television station (at least, I'm pretty sure it wasn't one of the other local stations). The style was spacey-pop with a jazz touch. It resembled the string background to Marvin Gaye's "What's Going On" album. The instrumentation is mostly strings or maybe synthesizer trying to sound like strings, with a wordless chorus (sounds like they're just saying "Oooo") and some subtle electric guitar. The tempo is moderately slow, and the melodic theme gradually rises through a scale; just the kind of thing that floats off into the horizon so the engineer can kill the power to the broadcast tower. I've got this music in my head and it won't go away until I identify it. Any thoughts? Or is this in the "likely hallucination" category?
(from Guestbook 109) MJ of Dallas
I'm not sure if anyone remembers or not, but during the OETA sign-off in the early to mid 1980's, there was a Smooth Jazz tune that played in the background and I've been going crazy trying to find out the name of the song and artist for the past 20 years. It's jazz that mostly has piano playing the background, does anyone know the name of the artist and title of the song?
I think the song I remembered predated the Barry White song. But there is a resemblance. I finally decided that whatever I heard was probably "library music" used by many broadcasters.
Sign-offs could seem scary as a kid (It's still disquieting to wake up to static). They were like a kind of death; you wanted to be under the covers before the static, and it was creepy when a parent fell asleep on the couch and let it go on for awhile.
|(from Guestbook 189) Frank Morrow said:
Signing-off could be a rather spooky experience for announcers. It gave you the feeling of a cross between being the sandman and being an assassin. All day long there was all this activity---sounds of all sorts and emotions of a significant range. All were being suddenly ended. It also was a kind of sad feeling, too. It broke the connection you felt with the invisible listening audience.
And for the announcer at a station where the combo operation was in place, it was even rather spooky. Suddenly there was silence. The feeling of being there all alone was suddenly palpable. It was only a little comforting to walk into the news room and view the teletype wearily clacking away; but even that seemed to emphasize the feeling of disconnectedness. It was disquieting to close up the silent studios or building, and walk out into the night.
I signed-off at every station I worked for: KFPW, KAKC, KTUL, KFMJ, and KRMG (AM radio stations in the 1950s...webmaster). (Every new, young announcer had to start off on the least desirable shift--the night shift.) KFMJ was no big deal because sign-off was at sunset. At KTUL there at least was an engineer for company. Although being a combo station, KRMG, which was in the Akdar Shrine building with the Cimarron Ballroom part of it, and being located at 4th and Elgin, at least there were usually some cars and some lights to ease the feelings.
KAKC was the most disturbing. After spending the evening alone with the mice and rats in the basement of the Coliseum and being marooned in the far corner of the offices and studios with a tiny, barred window near the ceiling at sidewalk level as the only connection between you and the outside, civilized world, then you had to emerge from the basement and onto a dark, dead-end street near the railroad tracks. As someone who had been afraid of the dark as a kid, I must admit that I quickened my steps to get to my car each night.
But, there also was a positive feeling, too. There was the softness of the night, and along with it the more leisurely pace of the midnight hour. There also was a feeling of accomplishment.
|Poem to be read at 3 a.m.
Excepting the diner
On the outskirts
The town of Ladora
At 3 a.m.
Was dark but
For my headlights
And up in
One second-story room
A single light
Was sick or
As I drove past
Is for whoever
Had the light on
--- Donald Justice
|(via email, 8/12/2005) Frank Morrow followed up:
Thinking about signing off, the listener also could have a curious feeling, too. He/she could be listening to a human voice and feel a kind of connection back then. Announcers were supposed to talk in a relaxed, informal and friendly manner, unlike what you hear on today's radio. You felt as if you were being talked to, not being talked at.
When you heard the sign-off, there was a feeling of disconnection with that person who had been sharing something with you. At the end of sign-off, there would be a brief moment when the sound was over, but the transmitter was still on. Then the transmitter would go off, and the hiss of and open frequency would be heard along with a background scramble of distant stations still broadcasting. The connection was severed, leaving a moment or two of continuation of thought and feeling.
KTUL's First Alert Citycam captured a Tulsa sunrise 10/14/2002 (241K).
Tulsa TV Memories main page 8's The Place